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Written by Dale Slamma |
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The production was in an ideal location – a long and grassy riverbank, with flights of bats set against the dying of the light. Director Catherine Lockley has made some interesting twists to this old tale. There was a distinctly colonial feel to the set, props and costumes. Jon English could be heard singing some kind of pirate song and I believe Puck was painted in a traditional Indigenous way.
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Before the mozzies came out I was thinking I hadn’t been so comfortable and content for years. There was of course the odd ‘how’s the serenity moment’ as a paddle steamer or speedboat split the wide green river into rippled reflections of light and sound.