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Written by Dale Slamma |
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![]() Onstage there were two drummers − a fuzzy bespectacled one and another one, in a hat, who turned out to be more of an auxiliary noisemaker than a dedicated second drummer. He pulled out cowbells, tambourines, a pipelike object and regularly screamed into a handily place microphone. The great mystery of the 90s has now been solved: the way to get a prominent tambourine sound is to have a man in a hat shake one directly into his microphone. Stephen Malkmus was ridiculous, and danced like there was no tomorrow in his own charming uncoordinated way. It was pleasant, polite music but still with that warm golden fuzzy sound. The melodies shared a closer link with actual rock’n’roll than I expected. One melody was almost lifted directly from Buddy Holly’s 'Everyday'. By the end of the show Pavement had built their own house in my heart. There was nothing but joy, music and a little time travel in the Enmore that night. I stood behind the sound desk for a little while, the lights girl had that Australian way of sitting almost behind the beat, right heel rising and falling in rhythm, left finger tapping lazily at the light buttons, hair carelessly drawn back and jeans rolled up like shorts. She was adding one hell of a visual layer to that warm sound. I only wish the band could have seen her sitting there producing fantastic results with her slouched and casual focus, the perfect collaborator for the slacker kings. Pavement is now playing Golden Plains festival, then Adelaide, Perth, Brisbane and then they return to Melbourne. Due to sold out shows, new dates have been added. See below. To read what a fanatical Pavement fan from way back had to say on their latest release, click HERE. PERTH On sale |
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